Film Strip image from Wikimedia Commons

Film Strip image from Wikimedia Commons

Tuesday, April 12, 2016

April 28th: Defining the Field

Please join the Chicago Film Seminar on Thursday, April 28th, 7:00PM, for a roundtable discussion, titled "Defining the Field." Bringing together scholars with diverse perspectives on the field, this workshop opens up a discussion of the evolving contours of cinema studies as it confronts new media and technologies, new methods, and new intellectual and institutional challenges. The conversation will focus broadly on the objects and approaches of cinema and media studies as they are transforming with the academic landscape.The workshop participants will include:

Gerald Butters, Aurora University

D. N. Rodowick, University of Chicago
Salomé Skvirsky, University of Chicago
Neil Verma, Northwestern University
Pam Wojcik, University of Notre Dame

Bios: 


Gerald R. Butters Jr. is a Professor of History at Aurora University. He is author of the following books - Beyond Blaxploitation (2016), From Sweetback to Superfly: Race and Film Audiences in Chicago's Loop, 1970-1975 (2015), Banned in Kansas: Motion Picture Censorship, 1915-1966 (2007) and Black Manhood on the Silent Screen (2002). A Fulbright scholar, Dr. Butters has lectured internationally including an address to the European Community in Luxembourg. 


D. N. Rodowick is Glen A. Lloyd Distinguished Service Professor in the Division of the Humanities at the University of Chicago. His most recent book, Philosophy’s Artful Conversation (2015), was published by Harvard University Press, completing the trilogy that began with The Virtual Life of Film (2007) and Elegy for Theory (2014). His newest book, What Philosophy Wants from Images, will be published by the University of Chicago Press in 2017. Rodowick is also a curator, and an award-winning experimental filmmaker and video artist.


Salomé Aguilera Skvirsky is Assistant Professor in the Cinema and Media Studies Department at the University of Chicago. Before joining the faculty at the University of Chicago, Skvirsky taught in Latin American and Latino Studies at the University of Illinois at Chicago and in the English Department at the University of Massachusetts Boston. Her work has appeared in Cinema Journal, the Journal of Latin American Cultural Studies, and Social Identities. Currently, she is working on a book-length manuscript titled The Aesthetic of Labor: Cinema and the Process Genre.


Neil Verma is Assistant Professor in Radio/Television/Film at Northwestern University, where he is Associate Director of the MA program in Sound Arts and Industries. He is the author of Theater of the Mind: Imagination, Aesthetics and American Radio Drama (Chicago), which won the Best First Book Award from the Society for Cinema & Media Studies in 2013. He is co-editor of Anatomy of Sound: Norman Corwin and Media Authorship (California), forthcoming this Spring. Verma focuses on the intersection of sound and narrative media, and has published chapters and articles on a range of subjects from radio documentaries to film noir, from Bertolt Brecht to Game of Thrones. He is the Network Director for the Radio Preservation Task Force at the library of congress and Special Editor at Sounding Out.


Pamela Robertson Wojcik is Professor in the Department of Film, Television and Theatre at the University of Notre Dame and President Elect of the Society for Cinema and Media Studies. She is author of Guilty Pleasures: Feminist Camp from Mae West to Madonna, The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975, and the forthcoming Fantasies of Neglect: Imagining the Urban Child in American Film and Fiction.


Moderator:


Ariel Rogers is Assistant Professor in the Department of Radio/Television/Film at Northwestern University. Her research and teaching focus on movie technologies, spectatorship, and new media. She is the author of Cinematic Appeals: The Experience of New Movie Technologies (Columbia University Press, 2013) and has published articles in Cinema Journal, Film History, and montage AV (forthcoming).


The workshop will be held at DePaul’s Loop Campus in the Daley Building at 14 E. Jackson Blvd., Room LL 102, using the State St. entrance located at 247 S. State.

For more information about Chicago Film Seminar events, please visit http://chicagofilmseminar.blogspot.com/ and https://www.facebook.com/chicagofilmseminar 

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