Film Strip image from Wikimedia Commons

Film Strip image from Wikimedia Commons

Monday, January 4, 2016

January 13: "Why Film History?: Discipline, Institution, and the Archive in Spanish Cinema Studies"

Please join the Chicago Film Seminar on Wednesday, January 13th, at 6:30pm, for an exciting roundtable discussion, titled “Why Film History?: Discipline, Institution, and the Archive in Spanish Cinema Studies.”

Roundtable participants, Professors Vicente Sánchez-Biosca and Steven Marsh, describe the event as follows:

This discussion seeks to address approaches to the cinema of Spain. While Film History as a sub-discipline of cinema and media studies is an important institutional component of almost all media and cinema studies departments, in Spain—uniquely—it is the dominant field in such departments. Indeed, Film History is so dominant that anyone – absolutely anyone – writing on film is considered to be a film historian. 

History has a particular resonance in Spain, one doubtlessly connected not only to the trauma but also to the telos of the country’s Civil War (about which Vicente Sánchez Biosca has written extensively). This discussion aims to interrogate historiography and historical discourse as they apply to film. It is envisaged that we will focus on questions of the national, on heritage, on trauma and event.   Likewise, we will address the overlap and possible aporia that emerges between history and memory, the way affect and nostalgia shape (or contradict) historical methodologies.

Vicente Sánchez-Biosca is Professor of Film Studies at the University of Valencia and has been a Visiting Professor at New York University, Princeton University, University of Paris III (Sorbonne Nouvelle), University of São Paulo, University of Montréal, among other schools. He was the editor of the journal Archivos de la Filmoteca from 1992 to 2012, and is the author of several books in film theory and history. Among them are Sombras de Weimar. Contribucíon a la historia del cine alemán 1918-1933 (Verdoux, 1990); Teoría del montaje cinematográfico (Filmoteca de la Generalitat Valenciana, 1991); NO-DO. El tiempo y la memoria (Cátedra/Filmoteca Española, 2006) and El pasado es el destino. Propaganda y cine del bando nacional en la guerra civil (both with R. Tranche, Cátedra, 2011); Cine y vanguardias artisticas. Conflictos, encuentros, fronteras (Paidós, 2004); Cine de historia, cine de memoria: La representacíon y sus límites  (Cátedra, 2006); Cine y Guerra civil española (Alianza, 2006). His current research is focused on the production and circulation of images of atrocity in twentieth and twenty-first century cinema, photography, illustrated press, and other media.

Steven Marsh is an associate professor of Spanish Film and Cultural Studies at the University of Illinois at Chicago. He is co-editor of Gender and Spanish Cinema (Berg 2004) and author of Popular Film Under Franco: Comedy and the Weakening of the State. He is one of the co-authors on the international collaborative project Cinema and the Mediation of Everyday Life: An Oral History of Filmgoing in 1940s and 1950s Spain. He recently edited a special issue of the Journal of Spanish Cultural Studies on Spanish film and spectrality. He is currently finalizing a new monograph provisionally titled Spanish Cinema, a Counter-History: Cosmopolitanism, Experimentation, Militancy. He is on the editorial board and one of the founding editors of the Journal of Hispanic Cinemas and he is a member of the editorial collective of the Journal of Spanish Cultural Studies.    

The Chicago Film Seminar is held at DePaul’s Loop Campus in the Daley Building at 14 E. Jackson Blvd., Room LL 102, using the State St. entrance located at 247 S. State.

1 comment:

  1. Sadly, I missed this event but my friend has been there and he gave me details of the main events. We both are newbie artists and so we are thinking to organize a small similar event at Chicago event space. Do you think it is a great idea?